The release of comes as a surprise. The material included here was chosen from nine hours of tape recorded during the Leucocyte sessions -- which was, interestingly, originally conceived as a double album.
The band fully expected another album would be culled from the remaining material. While it may have been sequenced or even mixed a bit differently had Svensson lived, everything here comes together as a compelling whole. Svensson was always keen to embrace more electronic sounds alongside his explorations of post-bop, and they are present here in tracks such as the formlessly experimental noise of "Houston, The 5th," the spacious electronic ambience that constantly yet hesitantly adorns the the backdrop and even Svensson's piano occasionally on the gorgeous, sinister "Inner City, City Lights," and in Berglund's blasting, fuzzed-out, phase-shifting basslines on the lengthy "Three Falling Free Part II.
Opener "Behind the Stars" is a lovely, lilting, solo piano ballad. Another highlight is the stretched, swinging, balancing act of harmonic engagement in the nearly 14 minute "The Left Lane," while there's yet another shimmering blues in closer "The Childhood Dream.
This is not only a fine addition to their catalog, it is one of the finest entries in it. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. The downloaded files belong to you, without any usage limit.
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Along with his former employer Miles Davis, pianist Herbie Hancock is the other founding father of jazz-fusion. In , his album "Head Hunters" laid down the Holy Scriptures of the most successful union of jazz improvisation and funk psychedelic trance. Afros and platform boots all around! Categories: All Back. See entire Jazz catalogue. See entire Classical catologue. See the entire Electronic catalogue. See the entire Country catalogue. See the entire Metal catalogue. See the entire Blues catalogue.
See the entire latin catalogue. See entire Soundtrack catalogue. See entire library of World music. The band fully expected another album would be culled from the remaining material.
While it may have been sequenced or even mixed a bit differently had Svensson lived, everything here comes together as a compelling whole. Svensson was always keen to embrace more electronic sounds alongside his explorations of post-bop, and they are present here in tracks such as the formlessly experimental noise of "Houston, The 5th," the spacious electronic ambience that constantly yet hesitantly adorns the the backdrop and even Svensson 's piano occasionally on the gorgeous, sinister "Inner City, City Lights," and in Berglund 's blasting, fuzzed-out, phase-shifting basslines on the lengthy "Three Falling Free Part II.
Opener "Behind the Stars" is a lovely, lilting, solo piano ballad. Another highlight is the stretched, swinging, balancing act of harmonic engagement in the nearly 14 minute "The Left Lane," while there's yet another shimmering blues in closer "The Childhood Dream. This is not only a fine addition to their catalog, it is one of the finest entries in it. AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully.
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